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Kenichi ISHIGURO
TOP
Works
Monstration, 2021
2021: Horse's Radius/For the Dusk of Man, 2021
The Dreams of Bird and Fish Seen after One Hundred Years, 2021
Enclosure, 2020
The Island of Stone Money and My Sculpture, 2020
Daichi, 2019
Emptiness (Light Bulb), 2019
Dialogue between Information and Matter, 2019
The Island of Stone Money and My Sculpture, 2018
TAUTOLOGY, 2017
Hypothetical Situation-Halation, 2017
Emptiness (Light Bulb), 2017
Road, 2017
TAUTOLOGY, 2016
Instrument, 2012
Screw, 2010
Emptiness (Light Bulb), 2009
Emptiness (Fluorescent Lamp), 2009
CV
Contact
Kenichi ISHIGURO
TOP
Works
Monstration, 2021
2021: Horse's Radius/For the Dusk of Man, 2021
The Dreams of Bird and Fish Seen after One Hundred Years, 2021
Enclosure, 2020
The Island of Stone Money and My Sculpture, 2020
Daichi, 2019
Emptiness (Light Bulb), 2019
Dialogue between Information and Matter, 2019
The Island of Stone Money and My Sculpture, 2018
TAUTOLOGY, 2017
Hypothetical Situation-Halation, 2017
Emptiness (Light Bulb), 2017
Road, 2017
TAUTOLOGY, 2016
Instrument, 2012
Screw, 2010
Emptiness (Light Bulb), 2009
Emptiness (Fluorescent Lamp), 2009
CV
Contact
More
TOP
Works
Monstration, 2021
2021: Horse's Radius/For the Dusk of Man, 2021
The Dreams of Bird and Fish Seen after One Hundred Years, 2021
Enclosure, 2020
The Island of Stone Money and My Sculpture, 2020
Daichi, 2019
Emptiness (Light Bulb), 2019
Dialogue between Information and Matter, 2019
The Island of Stone Money and My Sculpture, 2018
TAUTOLOGY, 2017
Hypothetical Situation-Halation, 2017
Emptiness (Light Bulb), 2017
Road, 2017
TAUTOLOGY, 2016
Instrument, 2012
Screw, 2010
Emptiness (Light Bulb), 2009
Emptiness (Fluorescent Lamp), 2009
CV
Contact
Instrument
2012
Carved obsidian, Victorinox officer knife
H.15 × W.20 × D.120mm
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